Logic pro x control surface preferences free.Adding Control Surfaces to Logic Pro
The setup procedures and preferences are common to all control surfaces. To use one or more control surfaces with Logic Pro, you will need: An installed. Choose Logic Pro > Preferences > Control Surfaces > Bypass All Control Surfaces. Both the white and the light blue bands in your track list.
Logic Pro X Control Surfaces Support. For OS X – PDF Free Download.
Some pretty nice gear on the way in to Logic should you want to do that Too many options Control Surface. I bought an Allen and Heath Q 32 mixer for a remote recording that I was doing for a church choir.
After I finished the project, I integrated the Q32 into my studio. It took a while for me to get it to work, but I got Logic to respond to all 32 faders. Logic also allows the user to use a combination of two audio interfaces simultaneously.
One interface can be used as the input device and the other as the output device or either device can be used to perform both duties. Top Mentioned Manufacturers. Facebook Twitter Reddit LinkedIn. Subscribe to our mailing lists. By sectiond , March 19, in Logic Pro.
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Thank you! My new Logic Pro Book is out! My guess is you have two devices in there, one that you’re actually using, the other that you are not?
Hmmmm not sure what’s going on. Do you have any custom programming? Important: Any changes to settings in the Setup window or from the device are saved in a preferences file, named com. This file is saved independently of the Logic Pro Preferences file.
When the device is added, the automatic setup or scan procedure sets the appropriate MIDI input and output port settings for the device. Module: Shows the name of the control surface. Model: Shows the model name of the control surface. Version: Shows the firmware version for some control surfaces. Color: Click to select the color that indicates which tracks are being controlled by this control surface. Choose the color from the color picker that opens.
In the Tracks window, the tracks controlled by this device are colored along the left edge of the track list when control surface bars are displayed. Special parameters Some control surfaces such as the Mackie Control allow you to define special parameters such as fader touch sensitivity. When a device that offers special parameters is connected, the special parameters area appears in the inspector.
For more information about supported special parameters, refer to the documentation for your device. These parameters apply to the group associated with the selected device and allow you to set up each group to meet your needs.
Many group parameters can also be changed directly from the control surface. Control Surface Group parameters are divided into several areas. Display parameters Flip Mode pop-up menu: Choose the functions for the faders and rotary encoders of the channel strips on the device. For control surfaces that contain a fader and a rotary encoder for each channel strip, Flip mode allows you to assign both controls to the same parameter, or to swap their assignments.
The choices are: Off: Standard mode, with the fader acting as a volume control. Duplicate: Assigns both the fader and encoder to the currently selected encoder parameter. Swap: Switches the fader and encoder assignments, making the fader a pan control and the encoder a channel volume control, for example. Mute: Disables the fader. This is useful when recording in the same room as the control surface and you want to avoid the mechanical noise of the faders. Any existing automation still functions normally.
Display Mode: Click to limit the device display to only the name or only the value of the current parameter. This is helpful if there is insufficient space for the display of both the parameter name and value. Clock Display: If your control surface features a position display, this parameter determines how the playhead position is represented. Channel Strip View Mode pop-up menu: Choose one of the following views: Arrange: The channel strips on the device correspond to Logic Pro channel strips as they appear in the Mixer window.
The layout of channel strips matches the way tracks are laid out in the Tracks window. Channel strip 1 in the Mixer window is equivalent to channel 1 on the control surface, channel strip 2 in the Mixer is equivalent to channel 2, and so on. Instruments and channels used by multiple tracks are merged into one channel.
This is the default mode of most devices, including the Mackie Control. All: The channel strips on the device correspond to Logic Pro channel strips of certain types, such as MIDI or aux channels, independent of their use in tracks. Control surfaces that support this view generally allow you to define which channel types you want to display. Tracks: This view is similar to Arrange view, but individual channel strips are shown when multiple tracks address the same channel.
Typically, this is a software or MIDI instrument channel, with several tracks routed to it. You can determine which parameters are edited by the channel strip controllers on the control surface. Note: The View is a property of the control surface group, not a global setting.
One group can display busses, while the other shows tracks, for example. Fader Bank for Tracks View: Drag vertically, or enter an integer value to offset which tracks are controlled by the channel strips of the device in Tracks view. For example, if your device has eight channel strips, these might normally be assigned to audio channel strips 1 8 in Logic Pro. Fader Bank for All View: Drag vertically, or enter an integer value to offset which Logic Pro channel strips are controlled by the device in All view.
This parameter is only available when multiple channel strip types are displayed in the Mixer. When single channel strip types are displayed, there are separate fader bank parameters. These aren t displayed in the parameter list. Channel Strip Parameter pop-up menu: Choose which function is controlled by the channel strip encoders on the device.
The choices are: Volume: Encoders adjust channel volume. Pan: Encoders adjust channel panorama position. Format: Encoders adjust or select channel format.
Input: Encoders adjust or select channel input source. Automation: Encoders adjust or select channel automation mode. Group: Encoders adjust group membership of the track.
Editing the parameter allows you to set either no group or a single group. Enabling membership of multiple groups is not possible. This can only be done directly in the Logic Pro Mixer.
Displayed Par. This is especially useful if you set the control surface to Arrange view, and your Tracks window shows multiple automation subtracks with Logic Pro parameters. Surround Parameter pop-up menu: Choose the surround parameter that the rotary encoders will control.
The choices are: Angle: Encoders adjust surround angle. Diversity: Encoders adjust surround diversity direction. Spread: Encoders adjust the Spread parameter of Stereo to Surround channel strips. X: Encoders adjust surround X position. Y: Encoders adjust surround Y position. Center: Encoders adjust the Center channel level. Note: The X and Y parameters are a different representation of the Angle and Diversity parameters, and thus are independent of them.
The X and Y parameters support the use of surround joysticks. The choices are: Frequency: Encoders adjust the frequency of the selected band. Gain: Encoders adjust the gain of the selected band. Q: Encoders adjust the Q factor of the selected band. The Channel and Linear Phase EQs feature eight bands per audio channel, with each band offering four parameters.
All of these parameters can be accessed with your control surface. If your control surface does not display all EQ parameters at once, you view them by stepping through the parameter pages in sequence.
For example, if your control surface has eight channel strips, you can directly control parameters 1 to 8 with knobs or sliders 1 to 8 when you switch to EQ Channel Strip Edit view. You then need to switch by a page to access parameters 9 to Control Surface Group send and plug-in parameters The parameters in the middle of the Control Surface Group parameters let you control different operational aspects when working with send and plug-in parameters. Send and plug-in parameters Send Slot: Drag vertically, or enter an integer value to set the currently selected Send slot.
The default is 1, which sets the first top Send on each channel as the Send slot. A value of 2 sets the second send as the Send slot, a value of 3, the third Send slot, and so on. The choices are: Destination: Encoder is used to determine the bus channel number for the Send slot. Level: Encoder is used to adjust the Send level.
Send Parameter Page: Drag vertically, or enter an integer value to set the current page for the Send parameters. Up to 32 parameters are available in Send Channel Strip view for a given channel eight Send slots multiplied by the four parameters listed above.
Split: no. In a standard control surface configuration you can use a single control surface, or several. Each device can run independently or can be part of a control surface group comprised of multiple devices as described in Create control surface groups in Logic Pro. GarageBand starts each time without any record of previous control surfaces. This is why when you use Logic Remote or gbXRemote, GarageBand asks you each time if you want to use that as a control surface.
This means that under normal conditions you do not have to worry about what control surfaces you used in the past. It does not, however, solve the problem of switching between control surfaces during one session.
Doing so will still likely cause problems. This should work, in theory, and we have not experienced any issues with this in our own testing. But other developers have reported issues with such a “mixed” set up. It may depend on the particular MIDI controller.
Regardless we recommend that you stick to using lpTouch by itself but feel free to experiment if you are so inclined please let us know your findings! The final piece of this puzzle is how Logic handles its control surface preferences. These are kept in a file com. If it detects changes to controllers, like automatically registering a new one, or when you do any manual changes from Logic’s preference settings, those changes are kept in memory. They are not saved until Logic quits.
When you finally finish and exit Logic it saves the settings back into the preference file. This has a number of implications. For example if you alter your control surface setup, such as deleting one controller then adding a different one, Logic will not save those changes until you exit the program.
Should Logic experience an unusual “termination”, like a crash, those changes will be lost. Incidentally Logic also uses the control surface preferences to save control surface “state”. This is why you sometimes find the control surface set to a particular track bank, or plugin parameter page when it first starts. Since Logic keeps the control surface preferences and state in memory, it raises the possibility that Logic could damage those settings due to an unrelated problem, such as a plugin crashing.
And while we cannot be certain this is actually the case, it appears that Logic will write the damaged data to the preference file, rendering the preference file unusable or “corrupted”.
Worse, it appears that Logic attempts to write this file as part of its “emergency shut down” procedure when it has crashed. This is yet another opportunity for the control surface preferences to become damaged. Once this file is corrupted it will remain so until it is manually deleted and a “fresh” version is created by Logic.
So a problem in the far past can propagate long into the future. Often you will have no indication of a problem other than certain control surface operations are “a little strange”. Slightly more noticeable is when Logic asks to register lpTouch or Logic Remote from your same iPad even when it is already registered.
More dramatic indications are very erratic control surface operation such as changing one track’s settings on the controller but Logic actually changes a different track.
In rare cases the corruption may cause Logic to crash on start up. One symptom of this problem that we have noticed is Logic crashing for no apparent reason when quitting.
One important detail that is helpful when troubleshooting control surface problems is how Logic or GarageBand “knows” when an OSC control surface is available for use, and decides if it is one it already has registered or not. When it discovers a new candidate it checks its “Bonjour name” to determine how to proceed. Part of this checking distinguishes between different types of devices, like whether the controller is running on an iPad, iPhone, or iPod touch, the type of controller, and the device’s name.